Showing posts with label Jennifer Baichwal. Show all posts
Showing posts with label Jennifer Baichwal. Show all posts

Monday, 14 January 2019

Man's Disturbing Effect on the Planet

Striking images of elephant tusks being burned show destruction by man
Another documentary I saw on the plane was Anthropocene by Nicholas De Pencier, Jennifer Baichwal and Edward Burtynsky. Baichwal and Burtynsky have also worked on Manufactured Landscapes and Watermark, and Anthropocene is the third of the trilogy about how man is changing the natural landscape.

Manufactured Landscapes was about China being the world's factory, watching hundreds of thousands of workers doing the most mundane tasks to make products for us in the West to use.



Their next project Watermark was about how water levels are dropping around the world due to overuse or pollution, and how dire it is for farmers not having enough water to produce crops and how they have to dig deeper to get water.

And finally Anthropocene refers to our current geological age where human activity is affecting the climate and environment.

Carrara marble being extracted from a quarry in Italy
The documentary takes viewers around to 20 countries on six continents to see the devastating effects humans are having on the planet. For example tone scene shows Carrara marble being cut out of the quarry and one of the workers jokes the success of Carrara is thanks to Michelangelo, who demanded to only use this kind of marble for his masterpieces.

Then there's a shot in a workshop where several artisans make copies of Michelangelo's sculptures -- using the same marble he used hundreds of years ago. I also think of the luxury apartments in Manhattan that feature Carrara marble in their bathrooms.

The film goes to a bleak town in Russia called Norilsk that is considered the most polluted in the country. The main industry is smelting to extract minerals in high heat. Three Russian women are interviewed and one says how the town is dreary, but you get used to it and see the beauty in the stone. They laugh.

Another scene shows an unscripted moment of two workers having lunch and talking about how the filmmakers are recording everything they are saying.

Scavengers, animals and humans, hunt around a landfill
In Germany there is a giant machine that weighs 12,000 tons and scrapes out an entire hillside of dirt. The man running the machine is proud of this piece of technology and not really thinking about the effect it has on the environment.

Then in Nigeria there's a massive landfill with men, women and children literally ripping up garbage bags and scrounging for anything that can be recycled. They dig through the dirty trash with their bare hands and carry what they've found in baskets on their heads. Meanwhile birds hang around them, looking for bits of food to feed on.

Meanwhile in Kenya, a black woman activist talks about trying to stop the ivory trade. She feels guilty for not being able to save elephants' lives, but at least she has stopped people from making a living from killing the animals to get their tusks.

There are scenes of men carrying the tusks one by one and creating giant pyres that are later set alight to show the world that the ivory trade will be stamped out.

However go to Hong Kong, and a master carver prides himself on making intricate masterpieces on these tusks. he has a team of people using various tools to create a sea of people, flowers, trees, dragons and landscapes all on one tusk.

Baichwal, De Pencier and Burtynsky are the film's directors
He boasts the prices can range from several hundred to millions of dollars. But because the authorities are cracking down on the ivory trade, the man speaking Cantonese says he has found another better source -- that is not yet illegal -- mammoth ivory tusks. He won't be idle any time soon.

There's also shots of old growth forests in British Columbia being cut down and the narrator says there are less than 20 percent of the forests left in the world. It's shocking statistics like these that are disturbing and hopefully jolt people into realizing how much we have lost.

Nevertheless, some people in the documentary are indifferent because what they are doing is their livelihood, while others are very worried about the impact these actions have on the environment but are too small to stop them.

The images shot particularly from drones are beautiful and shocking at the same time -- this tension that Burtynsky is very well known for. A bulldozer pushes salt along a path and the camera pulls back to see how big the salt field is, that seems to go on forever.

Anthropocene first premiered at the Toronto Film Festival last year and hopefully more people will see this documentary, and see what we collectively as humans are doing to the planet we live on.