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| Approaching Semperoper, the opera house designed by Gottfried Semper |
We even had rain greet us at the train station which was worrying. But in the late afternoon the rains cleared to blue skies (though very chilly).
The historic centre is very photogenic -- everywhere you look there are beautiful old buildings, many of them restored after World War II. However they also seem to need a good cleaning too, as the roofs of the buildings with beautiful decoration from stone carvings and bronze domes are black as soot. But it's understandable there are many other things on the priority list to fix than clean some buildings.
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| Inside the decor is completely faux to create an illusion |
Nevertheless, today we got to tour the Semperoper, the opera house -- actually the second one, that was named after the architect, Gottfried Semper who was a professor of architecture in Dresden.
He designed the first opera house that was built in 1841, which had a round facade and was said to have the best acoustics and the most beautiful opera house in Europe.
However, much like the recent Notre Dame fire, some renovations of the opera house led to a fire that razed it to the ground in 1869 and the residents clamoured to have Semper redesign another opera house on the same site.
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| An "ad" for Shakespeare's Hamlet above one doorway |
During our tour we were told the first opera house was only for aristocrats -- no ordinary folk were allowed in.
But by the time the second one was being built, the industrial revolution was well underway and created a wealthy middle class who were keen on higher pursuits, like the opera.
Apparently the aristocrats were mortified of the thought of having to share the opera house with the riff raff and pleaded with Semper to do something. His solution? Have the nouveau riche crammed up on the top floor -- but standing room only -- for three hours, while the aristocrats sat in boxes with partitions complete with snacks and drinks.
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| The bust of composer Richard Strauss |
The marble columns and marble-like walls were carefully painted to give the impression of using rich building materials. Apparently to create the green marble columns, it took 200 to 250 hours of work just to complete one.
The opera house also inspired a nationalistic drive to write operas in their own German language, thus Richard Strauss was one of the composers whose operas premiered here.
Our guide also explained how the opera house had one of the first "advertisements" in the foyer. They were kind of like today's movie posters of the 19th century. For example there's a scene of Hamlet with the name of the play and the name "Shakespeare" below just to give the audience a hint of what's to come.
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| A look at the seating complete with the royal box |
The stage is such that it can move 360 degrees, and it can fold up vertically. It can also be divided into rows and squares that move independently of each other.
When we were there, the steel fire door on stage prevented us from seeing the setting for Der Rosenkavalier by Richard Strauss, though while we sat there, the fire door was lifted up to reveal a beautiful setting of a sitting room area and technicians were testing out the lights.
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| The stage is set for Der Rosenkavalier by Strauss |













