Concert Under the Stars

Fantastic finish to Tchaikovsky's 1812 Overture Finale!

I miss going to concerts... but how about an outdoor concert? I jumped at the chance, and so did 10,199 other people with the Hong Kong Philharmonic having its "Symphony Under the Stars" sponsored by Swire. It used to be an annual event until 2018 because of the protests and Covid-19 and now it's back.

A few weeks ago we all had to go online to get the free tickets... as soon as 10am hit, I had over 1,500 people in front of me... by the time I got the tickets, they were near the back. No matter -- I have tickets! Each person was allowed to get a maximum of four tickets so I asked a friend to bring her husband and daughter along. 

Registration was tedious, including each person's email and mobile number and we had to use the Leave Home Safe app. And... no eating or drinking!

Thank goodness for big screens!

Previous outdoor concerts were a picnic affair, where groups would stake out their territory early with picnic blankets, bring food and drinks while enjoying the concert.

But alas we were told not to bring food or drinks into the venue. 

It was held at the Central Harbourfront Events Space, and instead there was seating, each marked with a seat number.

At the entrance, staff made sure we had our tickets, then we proceeded to security where they made sure we had scanned the Leave Home Safe app, then had a quick check of what was in our bags before allowing us in. 

I walked further and further away from the main stage... to section J. And each grouping of seats was in fours. There were several rows behind us, but we were pretty much at the back! The musicians on stage were practically dots. My friend's husband did bring binoculars, but really it was about listening to the music.

The concert was hosted by Harry Gor Gor or Harry Wong the musician and former radio host. He was lots of fun for the kids in the audience, especially when he got out his instrument that he played with his nose... even playing Brahms' Hungarian Dance with it!

When Wong tried to joke with some of the musicians, they came off sounding very serious... Except for a trio of trumpeters dressed in relaxing holiday gear. They told Wong they had just had a staycation in Yuen Long and handed him a wife cake!

People waving their phones to Blue Danube

The program's theme was dance music, so all the pieces were very familiar and easy to listen to, like Tchaikovsky's Sleeping Beauty, Saint-Saens' Danse macabre, Johan Strauss II's Blue Danube Waltz, and Anderson's Bugler's Holiday.

Wong kept teasing the audience about the fireworks, that it would happen... two pieces later. During the Blue Danube he encouraged people to turn on their phone lights as the drone above us swooped past. One of the composer's name is Khachaturian, and Wong joked if you said it in Chinese it sounded like gaat-jat choong leung, as in cockroach having a bath... 

After the two-hour mark, the concert was over, but not before the orchestra performed Tchaikovsky's 1812 Overture Finale with fireworks! Amazing sight after having not seen any fireworks for over two years because of the anti-government protests and then the pandemic.

In front of us was a family with two young boys and they obviously loved the music. One kept swaying his arms like a conductor, the parents patient with them, not telling them to sit still, except for a security guard telling the younger one not to play with the chain bordering our section. But otherwise towards the end they were dancing and so excited to be there.

An exciting finish to the concert! 

Concerts like these help foster children's love of music and that's so important.

What's also interesting is that while Wong thanked Swire and people clapped, no one did when he also thanked the Hong Kong government for sponsoring the event as well... or at least I couldn't hear any applause...

Watch the concert here. Wong's nose instrument playing is at 1:48:07

Wong has a fun skeleton dance at 48:19

Jazz from a Classical Pianist

Lively performance tonight by pianist Denis Matsuev and other musicians

Denis Matsuev, 43, is a prodigy pianist, starting his lessons at the keyboard from the age of three. It also probably helped that his mother was a piano teacher and his father a pianist and composer.

When he was 23 years old, he won the 11th International Tchaikovsky Competition in 1998, establishing himself as a classical pianist.

However, ever since he was young, he listened to jazz records his father played at home, and Matsuev's first TV appearance in 1990 on a show called Morning Star, he played his own jazz composition called Paris Memories.

He can easily play both classical and jazz on the piano

"My father used to collect recordings of outstanding jazz musicians. I listened to them all my life as far as I can remember myself, and I always tried to improvise," he recalled in an interview with TASS in 2017.

"I like it, and I do not see any reason why I should renounce this pleasure. And sometimes, I feel like taking it easy and making fun on stage to put smiles on people's faces."

That's what he did tonight, which contrasted with Thursday night when he gave a Tchaikovsky piano recital, and then last night performed with young musicians, both at Hong Kong City Hall.

This evening he still wore his white bow tie and evening coat but let it rip with an energetic jazz show that seamlessly integrated Russian music and instruments.

At the start of the show at the Hong Kong Cultural Centre that was almost full, Matsuev explained that while classical music is his "wife", jazz is his "lover".

He and several musicians played 10 pieces, some as solos, some as a group. It started with an enthusiastic rendition of improvisations on a Theme from Rhapsody in Blue by George Gershwin, followed by an accordion player, Aydar Gaynullin who performed Libertango by Astor Piazzola that had a tango flair.



Then a 12-year-old saxophonist, Sofia Turina came on stage and played Csardas by Vittorio Monti with the group, and a quick 43-second Flight of the Bumblebee by Nikolai Rimsky-Korsakov. When that piece is played on a sax, it really does sound like a buzzing bee.

Another drummer came out -- a young kid, Daniil Gulevich, who accompanied the group in Fly Away: Variations on Themes from Alexander Borodin and Paul Desmond arranged by Matsuev's double bassist Andrey Ivanov. During his solo, Gulevich couldn't resist and for about 10 minutes was banging away at the drums... cool, but past the five-minute mark we were wondering, when is this going to end? That was the only part that lagged in the concert.

Matsuev also showed off his composition skills with two lovely pieces, Baikal Samba in a tribute to Lake Baikal with a watery theme, and Ballad.

Andrey Gorbachev came out -- no relation to the former Soviet leader -- but this man is a virtuoso on the balalaika, a triangle-shaped guitar that only has three strings. He quickly showed us why he's so good, plucking and strumming the instrument so fast we were completely mesmerized. Then he joined in on variations of Rhapsody on a Theme of Paganini with the group that was lots fun, followed by improvisations on a Theme from Peer Gynt Suite. Here's an idea of what they played:



The final piece, Fiesta by Matsuev and Ivanov was definitely festive, and after playing their solo, each musician would leave the stage. In the end it was Ivanov on the double bass with Alexander Zinger on the drums, and then just the drum solo before they all came back on stage to finish the song.

We all clapped loudly, hoping for an encore, but sadly that was the end of the show, that ended as expected at one hour and 50 minutes.

 

Matsuev and Friends Play Jazz
Concert Hall, Hong Kong Cultural Centre

Improvisations on a Theme from Rhapsody in Blue by George Gershwin, arranged by Denis Matsuev and Andrey Ivanov

Libertango by Astor Piazzolla

Csardas by Vittorio Monti

Flight of the Bumblebee by Nikolia Rimsky-Korsakov

Fly Away: Variations on Themes from Alexander Borodin and Paul Desmond by Andre Ivanov

Baikal Samba and Ballad by Denis Matsuev

Variations on Rhapsody on a Theme of Paganini by Sergei Rachmaninov arranged by Denis Matsuev

Improvisations on a Theme from Peer Gynt Suite by Edvard Grieg, arranged by Denis Matsuev and Andrey Ivanov

Fiesta by Denis Matsuev and Andrey Ivanov

Movie Music!

The Hong Kong Sinfonietta performed in the HK City Hall Concert Hall

 Tonight YTSL and I attended a really good concert put on by the Hong Kong Sinfonietta called "Sounds Great! Classical Music in Movies", held at Hong Kong City Hall Concert Hall.

Originally a guest conductor called Jason Lai, a British-born Chinese was supposed to lead the orchestra, but a few weeks ago YTSL received an email saying resident conductor Yip Wing-sie would be heading the program.

Never mind -- we were keen on the music and enjoyed it very much.

The orchestra looked packed on the stage, squishing everyone and all the instruments in, as there were many percussion instruments and several keyboards including a grand piano!

The concert started with the tingling Also Sprach Zarathustra: Introduction by Richard Strauss, which film goers will recognize as the theme from 2001: A Space Odyssey.



This was followed by Wagner's Die Walkure: Ride of the Valkyries that was used in a scene in Apocalypse Now where the helicopters fly low and start shooting at the Vietnamese below in a village by the water. Yip says this piece of music was perfect for this scene, making it indelible in her mind.



Next on the program was Mozart's Clarinet Concerto in A, K622 (second movement), which was used in the film Out of Africa, a very romantic movie.



Tchaikovsky was next with two pieces, one was The Swan Lake, which Yip explained is always used in movies with ballets in them, followed by Romeo & Juliet Fantasy Overture, that has been used in soundtracks from Scrubs to South Park, Spongebob Square Pants and Looney Tunes cartoons.



After the intermission, we reassembled back into the concert hall to hear a rousing rendition of Mozart's Symphony No 25 in G minor, K183 (first movement). When I hear this piece I immediately think of the opening scene in Amadeus, where composer Antonio Salieri is found to have slit his throat. Yip says Mozart is the best composer in the world, which makes the film such a good one because it features his music in there.



Yip then talked about American composer Barber's Adagio for Strings. Originally it was supposed to be for a string quartet, but when it was used in the film Platoon, he adapted it for a string orchestra. Another haunting piece of music for Yip while watching the movie, but she said for those who hadn't, it was romantic piece.

It made me realize that as a conductor, she must listen to the music used in movies much more acutely than the rest of us! And how do composers feel about their music being used in films?



Then who can resist throwing in Johann Strauss Jr's On the Beautiful Blue Danube, Op. 314, the music most synonymous with the waltz. The last piece of music was from John Williams, of course Star Wars. Yip explained the orchestra likes playing his works because he composes for all the members to play, in particular percussion, along with harp and piano. So it's not just the audience that likes his music!



Yip encouraged the audience to come back again -- they are performing the same program tomorrow and Sunday!

Musical Ping Pong

Whoa what a finale! Incorporating table tennis with music. How novel!

This evening YTSL and I had tickets to watch a concert by the Hong Kong Philharmonic called "Ping Pong Diplomacy", harking back to over 45 years ago when the table tennis team from the United States visited China.

It was considered a world-changing event in Sino-US relations, breaking the ice and paving the way for then US President Richard Nixon to come to China and meet with Mao Zedong.

Conductor Yu Long commissioned a piece -- featuring table tennis in the music! -- by Andy Akiho and it was performed for the first time two years ago by the Shanghai Symphony Orchestra.

Were the table tennis players going to use up all those balls?

But before that music. Yu led the orchestra in a rousing Tchaikovsky piece called Serenade for Strings, op. 48. I had forgotten Yu likes a fast tempo but was soon quickly reminded when the opening, which is supposed to be like a sonatina, seemed very rushed.

He tried to make the second movement, a waltz, markedly slower, but it too speeded up towards the end, as well as the finale.

I forgot to add that the musicians weren't dressed in formal wear, but black T-shirts and jeans instead which was a weird look, perhaps to make the audience not feel so bad to be casual either.

There was no intermission, and the stage was set for Akiho's Ricochet: Triple Concerto for Ping Pong, Percussion, Violin & Orchestra with three movements.

We the audience were forewarned that ping pong balls could fly into the crowd. This we had to watch.

The piece starts with a violinist making eerie sounds on her instrument, and then a percussionist stands by the ping pong table and starts playing on drums with it. Two actual ping pong players, both American, but one Caucasian male in a shirt and red bow tie, the other a Chinese woman, in a red sleeveless cocktail dress and black heels approach the table and actually start playing table tennis.

At times they rally, and then they start hitting balls towards the audience. They use tambourines to hit the ball so that they too make music, and she hits the drum on the ping pong table hard as a solo passage.

Imagine writing the music for this piece? Ping pong player hits drum; ping pong player uses tambourine to hit balls five times...

It was unpredictable when they were going to hit balls into the audience. In the end the violinist and percussionist each grab box of balls and dump them onto the table to end the piece. So crazy yet so fun!

Kids scrambled towards the stage to grab whatever orange balls they could.

It was just so interesting to see how table tennis could be incorporated into music and it works. The two ping pong players knew exactly when to hit and when to stop, catching the ball. They had several balls in hand just in case shots didn't work out to keep the momentum of hitting the ball going.

It was fun, lively and unpredictable!

Ping Pong Diplomacy

Hong Kong Cultural Centre Concert Hall

Tchaikovsky Serenade for Strings, op. 48

Andy Akiho Ricochet: Triple Concerto for Ping Pong, Percussion, Violin & Orchestra

Mid-Autumn Open Air Concert

The Mid-Autumn moon at midnight over Terme di Montecatini

This year's Mid-Autumn Festival will be a memorable one for me.

First of all I brought to Italy some mooncakes from Hong Kong to celebrate this special event with my parents and their friends.

I brought both the highly prized egg custard mooncakes from The Peninsula, andd also traditional ones from a place in Fanling where the baker may retire any time now.

After a dinner of rustic barley soup, swordfish and tiramisu, we tucked into some mooncakes and then headed to Terme di Montecatini to listen to a gala evening of music.

The beautiful setting for tonight's concert

The spa itself is gorgeous -- built in the 17th century, it has painted tiles on the walls, frescoes on the domed ceilings and marble columns and floors. The property is large and spacious, and off to one side are the actual waters -- Regina, Rinfresco and Tettviccio to name three of the six that come out of taps.

With the full moon slowly rising above, we sat outside in the open air to watch a concert featuring four opera singers in an exercise in musical diplomacy between Italy and Russia, or more specifically Montecatini and St Petersburg.

It seems ironic the concert is happening now with the current conflict in Ukraine, but perhaps that's what music does -- trying to bridge political gaps through mutual interest.

The fantastic tenor and soprano with the conductor in between

Nevertheless, it started off late, well after 9.30pm and then there were the translations of welcome messages from the Montecatini mayor and a Russian representative in Italian, English and Russian, so the concert didn't actually start until after 10pm.

Half an hour later there was a 15-minute intermission which made us wonder what was going on. But it seemed like many of the locals were there to socialize and didn't mind the early break.

Following the intermission was when the concert really came together and the audience was rapt by the performances of the tenor and soprano in particular. The other soprano had fallen ill and the conductor called another to replace her yesterday. She did a fine job.

The conductor even sang a few lines in a duet with the substitute singer which was amusing. It was also impressive that he could speak in the three languages relatively effortlessly.

So who can forget a Mid-Autumn Festival with a full moon overhead and listening to the operatic works of Tchaikovsky and Puccini like La Boheme and Turandot in a gorgeous Italian spa?