Showing posts with label Watermark. Show all posts
Showing posts with label Watermark. Show all posts

Sunday, 11 May 2014

Meditation on Change

Looking towards Central with the Asia Society in front
Before the Watermark screening at the Asian Society, we were given the opportunity to check out the latest exhibition, "It Begins With Metamorphosis: Xu Bing".

It is his first solo show and I didn't know much about this mainland-born artist who is known for his prints.

Looking out at Admiralty and Tsim Sha Tsui in the background
There weren't many pieces shown, but most interesting was a animation sequence he created using Chinese calligraphy and ink drawings to illustrate the meanings. For example he had the Chinese words for army and then showed soldiers and weapons within the characters.

He should consider using this format to create videos to teach people Chinese characters! It was fun and memorable. At the end credits, big thanks was given to the Robert H.N. Ho Family foundation, a Hong Kong link to this show.

Apparently the exhibition was inspired by smell, when Xu was in the United States and smelled a tobacco leaf. He then started researching about how it was grown, its links with the US and slavery, and his father's cancer.

There is an over-sized book with the pages made from tobacco leaves and printed words on it.

Silkworms crawling around on a book!
Off to the side is another book, but smaller, and on top of the pages are live silkworms hanging out and slowly covering the pages with their silk strands. At first I didn't know what to think -- it seemed so strange and disconcerting, but there they were, making no effort to escape and didn't chew on the pages either. Maybe they had been fed mulberry leaves earlier...

He also does copies of certain pages from The Mustard Seed Garden Manual of Painting, but this doesn't seem particularly interesting.

Finally there's an installation that perhaps recreates Xu's office with computer screens and lots of graphics taped on the wall, exploring all kinds of symbols to see which ones are the most easily understandable or graphically pleasing, it's hard to tell.

Overall the show didn't seem to have a main point, or perhaps the explanations didn't help tie everything together into the meaning of metamorphosis. Some of the individual pieces were interesting, but seemed disparate from the others.

After watching Watermark I wandered outside around the center a bit and took some pictures of the moody skyline from this vantage point.

Buddha head by Zhang Huan on the rooftop garden
It Begins With Metamorphosis: Xu Bing
Until August 31
Asia Society Hong Kong Center
9 Justice Drive
Admiralty
asiasociety.org


Saturday, 10 May 2014

Our Relationship with Water

Colorado River Delta #2 shows water from the ocean trying to reach the river
Just came back from the Asia Society where I watched a screening of Watermark by Toronto photographer Edward Burtynsky and Jennifer Baichwal. The duo had collaborated on Manufactured Landscapes where Burtynsky was the subject taking photographs of China and exploring where all our goods had come from.

The documentary received raved reviews, and thrust Burtynsky's name out into the global limelight. I'd never heard of him myself until that I watched that film and am glad it introduced me to his images that are terrifying and beautiful at the same time.

Xiaolangdi Dam #1, spewing out water from the Yellow River
His large-scale photographs show the immense scale of things, but also minute detail because his pictures are so sharp. For me his keen interest in what is happening in China and his amazing access to construction projects from dams to shipyards are fascinating, giving us viewers an insight into places we have never been to or never will go to.

In 2006 Burtynsky was working on a project on oil, how we extract it, what we use it for, how it impacts our environment. Then he happened to be in Australia when the droughts were happening and the photographers he was with at the time were photojournalists covering the impact of the droughts on farmers.

He explained that once water disappeared from their land or access to water was gone, that was the end of their livelihood on the land. The land couldn't be sold either and some farmers committed suicide. Seeing these things happen made Burtynsky think about water and our relationship to it.

Then two years later National Geographic contacted him, asking if he was interested in photographing on the subject of water in California. He did a year of research and then 10 months on and off of taking pictures there.

He showed the images of Baichwal and they thought they could be the basis of their next film.

Xiluodu Dam #1 that is six times larger than the Hoover
It starts with the mighty Yellow River in China, roaring as it comes down, the water coming out in clumps looking like the outstretched forelegs of a lion. And then this image is immediately contrasted with a parched barren riverbed in Mexico.

Watermark examines our relationship with water, as Burtynsky says, how we use it, abuse it, how we relate to it spiritually or for entertainment. They did a lot of research to figure out the best way to tell vignettes about water, but also avoiding cliched images and trying to find those that viewers would have little or no opportunity to see.

Thus we visit the construction of the Xiluodu, the biggest arched dam in the world that is six times larger than the Hoover. We also go to Greenland and talk to scientists about why they study the ice thousands of metres deep. And we see the horrific environmental effects of tanneries in Bangladesh, and 30 million people descending on the Ganges River in the hopes that their sins will be washed away.

Pivot Irrigation #11, in High Plains, Texas Panhandle
We also visit an abalone farm off the coast of Fujian province, and the pristine watersheds in British Columbia and learn about the lives of the people there, and how bizarre area in California, where everyone has a waterfront property.

To get the scale, the filmmakers used helicopters, cessnas, and more importantly remote helicopters, basically drones to photograph and film many sequences and the effects add not only to the poetic nature of the film, but also make us realize how small we are.

Burtynsky explains that 70 percent of the world's water is used for agriculture and 70 percent of that is used to grow the food for the animals we eat. Other statistics he had was that Canada has 32 percent of the world's fresh water, while China only has 8 percent. The mainland used to have 50,000 rivers, but now only 25,000, and many of them you can't even dip your hand in them, they're so contaminated.

Rice Terraces #2 in Western Yunnan province
He and Baichwal hope Watermark will get people to think about water the next time they drink some, turn on the tap, have a shower, jump into a swimming pool. We have to be careful with this precious resource.

I plan to see his exhibition at Sundaram Tagore Gallery soon, and have a chance to see Burtynsky's arresting images up close.

Edward Burtynsky: Water
Until June 21, 2014
Sundaram Tagore Gallery
57-59 Hollywood Road
Central