| Babies and toddlers seems more at risk of Covid-19 now |
Hong Kong had another record day of cases -- 7,533 -- and sadly 16 deaths, one of which was an 11-month old baby girl. There is a big concern now about children becoming infected and how they are not getting vaccinated or are too young to be vaccinated in the case of this baby.
Meanwhile the government is still going ahead with the vaccine pass that starts on Thursday. In order to get a haircut or go to a religious service you must have at least one jab and have this vaccination certification uploaded on your LeaveHomeSafe app.
| Uploaded vaccine passport is on left, none on right |
If you are going to a shopping mall, supermarket, department store or wet market then you may need to show your vaccine pass if a security person stops you. So there may be some people who are not vaccinated and may take the risk of going into a supermarket without having to show anything. How is this helpful?
And perhaps even worse, no vaccination is needed at all to go into a hotel! Why is that when almost all hotel staff were pushed to get the jab? It boggles the mind.
Something completely unrelated to Covid -- I watched a documentary called Ascension that was nominated for Best Documentary at this year's Academy Awards.
I didn't know quite what to expect and was surprised at the end and how it all came together.
| Oscar-nominated documentary Ascension |
People get rounded up and taken in coaches to their new destiny.
Some make rugs for Ikea, components for spray bottles, bottles of water, others make microchips, Christmas trees, jeans, and shirts.
Perhaps the most amusing scene is watching mostly women putting sex dolls together. They are made of silicone, with large pendulous breasts, and curvy bottoms. They have permanent surprised expressions on their faces. Each one is custom made -- "Her nipples need to be pink!" one worker says, another has her wig changed from blonde to brunette. Another flings the doll's legs apart to inspect her down there. Each one is photographed to make sure it is correctly done up.
| Worker checks the sex doll's face with the order |
Then the film shifts to jobs that have been created in the last few years, such as cryptocurrency mining (mostly young guys playing video games and eating lots of junk food), men collecting rented bikes that are dumped in a pile, people talking into their smartphone streaming online to sell things, and what looks like a pyramid company, where everyone is aiming to make over 10 million yuan in three years.
There's also people who are training to be bodyguards, hitting each other until there are scratches and bruises on their chests, and to be professional-looking assistants where they should smile to show eight of their upper teeth, while others are training to be butlers, measuring the distance between glasses and plates. The instructor asks them if they have ever watched Downton Abbey and none of them have, leaving them with little understanding with what career they have chosen.
It's an interesting look at what Chinese wealthy people think what being rich should look like, and the butlers trying to fulfill that fantasy. They probably assume everyone in England lives like that, ringing a bell for the butler to appear.
| People waiting around to get work in factories |
Kingdon herself has an interesting background. Her father is Jewish-American, her mother is Chinese. Her brother went to China for a few years, learned Mandarin and persuaded his sister to come look at the country.
Before Covid-19, Kingdon and her small crew filmed in 51 different locations around the country and she says in interviews she had the best Chinese food. Kingdon also managed to meet relatives on her mother's side, one of which is now a cousin who works in Silicon Valley in the US.
Nevertheless, the title of the film comes from her great grandfather who wrote poems. One of them is Ascension, where he writes that the higher one climbs, one is horrified by what they see down below.
| Director Jessica Kingdon, her mother is Chinese |
But Ascension doesn't preach a particular message, nor is it judgemental -- it has a fly-on-the-wall approach to the film and lets the viewers see what is going on and decide for themselves what they see in the documentary.
Ascension
Directed by Jessica Kingdon
97 minutes


























