 |
| Just a few of the supposedly abandoned babies advertised in the newspaper |
I am still trying to process
One Child Nation, a documentary I saw today as part of the Hong Kong International Film Festival.
China's one-child policy began in 1979 and was only relaxed in 2015, but since then there hasn't been the baby boom the government was hoping. After one of the filmmakers, Wang Nanfu has a baby boy, this prompts her to delve into the how this family-planning policy impacted her family and others.
 |
| Filmmaker Wang Nanfu with her son |
Wang narrates and explains that when she was born, her parents were expecting a boy, as she has the word ç”· nan, or "man" in her name. But the baby was a she and they gave her the name anyway, hoping their daughter would become a strong person.
They lived in a rural area, and local officials wanted to sterilize her mother right after she gave birth, but Wang's grandfather prevented it from happening; that's because there was a rule that those living in rural areas could have two children as long as they were five years apart.
And indeed she did have a brother, much to her parents' and grandparents' delight.
But having grown up bombarded with propaganda everywhere saying how the one-child policy was great, how it was a sin to have more than one child, Wang felt ashamed of having a brother.
She then tries to find out what happened to the women who were sterilized or were forced to abort. Wang interviews the midwife who helped with her birth. The elderly woman claims to have done at least 50,000 abortions and sterilizations.
Wang finds this hard to believe, but then the woman tells her she now focuses on helping couples who are infertile to get pregnant. She shows Wang two rooms in her home filled with maroon-coloured banners with yellow embroidery showing their thanks to the midwife and pictures of the babies taped on each one. She explains she is doing this to try to atone for her sins for killing so many fetuses, as she believes in karma.
Then Wang manages to coax her uncle and aunt to tell about their personal experiences of losing their baby girls because of the draconian policy. Her uncle doesn't want to look into the camera and seems numb talking about it over 20 years later.
 |
| Zhang and Wang win at Sundance |
There is also an artist by the name of Peng who has painted fetuses on every page of Mao Zedong's little red book, for every unborn child that has been murdered under his leadership. The artist was originally doing research on garbage when he found lots of plastic bags with dead fetuses in them labelled as medical waste.
People in the audience started sniffling after seeing those disturbing scenes. But Wang doesn't end her research there.
She also tracks down a man surnamed Duan and his family who were jailed for selling babies to orphanages. He, his mother and sister picked up abandoned babies and then sent them to orphanages who gave them money for them -- this was in 1992 when China began to allow overseas adoptions. The demand was so high that they needed more babies and would pay for them. Duan was just trying to give these babies a home, and why not make money out of it too?
These overseas adoptions were done under sketchy circumstances too. Brian Stuy and his Chinese wife Long Lan live in the United States and adopted three Chinese girls. When they adopted the first girl, Stuy tried to find out as much information from the supposed "baby finder" where she found the girl.
Later Stuy finds out the story was completely fabricated and the couple begin creating extensive databases to see if there is a pattern. They also interviewed Duan and his mother before. But how would they remember where exactly they picked up which baby if they sent some 10,000 of them to orphanages?
Also disturbing are revelations that some children were taken away from their families by local officials and adopted overseas to make some money. One case features a girl who lost her older twin sister to an overseas adoption against her and the family's consent. The Chinese journalist who reported the story was immediately fired and he fled to Hong Kong where Wang interviewed him. He wrote a book about his research but no one wanted to publish it in Chinese. Eventually it was printed.... in English.
Throughout
One Child Nation, Wang shows people's anguish at what they did, and how a government policy will drive people to do inhumane things. She also questions why she was so naive, believing that the one-child policy was the right thing, but she shouldn't be so hard on herself, when that was the only thing she knew.
I had many more questions about Wang -- her father died when she was young and was forced to give up school and work so that her younger brother could study instead. So how did she manage to go to the United States without much of an education? And does she know that after making this film she will probably make life difficult for her family in China because
One Child Nation is critical of the government?
At the end of the film the audience clapped in appreciation for the film.
One Child Nation was not at all what I had expected. It was deeply personal about Wang's extended family, but at the same time we wondered about the millions of babies who were "abandoned" and what happened to them.
One Child Nation (2019)
Directed by Wang Nanfu and Zhang Jialing
85 minutes
Winner of the Grand Jury Prize in the US Documentary competition at Sundance